The collective formed 2024 in El Salvador and created a video work that follows a narrative created in somatic writing sessions between the artists and in conversation with crypto researcher Joshua Davila (author of Blockchain Radicals). 360° footage of the artists performing in public urban spaces and remote natural locations, choreographed by Pfalzer, is juxtaposed with computer-generated imagery, fictioning a future ecology between the digital and physical, artifice and what is conceptualized as “nature”by tech-solutionists. In their vision of the near future, the imaginary country El Liberador is ruled by an authoritarian tech-solutionist president, who is also the CEO of the country’s biggest tech firm, Beta. In this crypto-liberal, low-tax, and small-government state, law is replaced by Beta’s company policy, enforced via state-mandated neural implants. Locals, especially those who cannot afford the newest neural hardware, become as obsolete as outdated tech and are displaced by a swarm of international and affluent tech professionals attracted by the state's free market politics. Pushed out of their cities, now remodeled to fit the needs of this new agile and highly mobile class, they dwell at the margins. Technology that once promised progress and freedom now demands servitude and conformity. Against this bleak outlook, the artists conjure a crypto bailarina in drag who gets lost in the chain, manifests as a multifaceted humanoid entity, and advances to be venerated as the technological savior by the people of El Liberador. Ecofeminist strategies and drag as a political extension of the self have been parts of Alexa Evangelista and Lucy Tomasino's artistic methodologies and become central, fluid, and moist dreamscapes within the fable. Water serves as a nexus, an agent of distinction, a conduit, and a voice. It unites diverse entities in profound intimacy, embracing and celebrating the differences of world, body, and technology, connecting crypto mining devices to human bodies to the shores of the sea. The grim tech- totalitarian horizon contrasted with the lush and moist scenery evokes a mystical, hydro-feminist epiphany within the crypto bailarina, swallowing tourists and letting sandy beaches and the ecological world become a part of their being. The artists pitch a differentiating perception of worlding; fluid bodies and identities, interconnectedness instead of individualism and private wealth, and public expression, enabled by a reconfigured techno-ecology.